Our Philosophy
We are not trying to explain films to people. We are trying to build the conditions under which a film can be genuinely thought about — slowly, generously and in company.
Most of what a film gives us arrives after the credits — in the walk home, the argument, the thing we notice a week later. We are building the room where that happens intentionally rather than by happenstance.
It holds image, sound, performance, architecture, music, politics and time all at once. No single discipline can account for its significance fully, which is precisely why it makes such generous common ground.
A clinician hears a defense, a historian hears a decade, and where a composer hears a key change. Put them in one room and the film gets larger, not smaller.
Watching is private; understanding is usually collaborative. Something happens when your "Self" gets to interact with any given "Other," and collaborate in exploring the relational component present in the film; insofar as film reflects human-human relationality.
Not around expertise, credentials or agreement. The graduate student, and the professor arrive on the same footing, and both leave with some "Thing" that they didn't initially arrive with.
Intellectual Generosity
“Nobody has ever changed their mind on an empty stomach — or in a room where they were afraid to be wrong.”Join the Community